Expository Preaching

Movie Illustrations – A Risky Business

/ Peter Mead / 3 Comments

Some churches absolutely oppose any illustration from hollywood or TV.  Actually, some churches oppose any attempt to be relevant to contemporary listeners at all.  Now if you preach in a place that is not so restrictive, you’ll be tempted to use movie illustrations sometimes.  They can be very effective.  But there are a few things to keep in mind:

1. Not everyone will have seen it. Simple, but true.  Some films have been seen by most people, but we can’t presume everyone has seen any film.  This means that any reference to a film will require some explanation  Be aware of that and prepare accordingly.

2. Not everything in it may be appropriate. The part you are referring to may be precisely illustrative of what you are saying.  But remember to think through the rest of the film through the eyes of others present.  Are you endorsing everything in the film by referring to it?  What about the lewd scene later on?  What about the underlying paradigm in the story?  What about the language used?  What about . . . what about . . . You might as well think it through before you use it, because others may have immediate reactions without much thinking!

3. Will it take too much explaining? Sometimes a movie provides the ideal example for the point you are making.  Perhaps it explains the point.  Perhaps it proves it.  Perhaps it demonstrates application.  But if it takes too much explaining, then it might just undermine the message.  Background explanation will diminish momentum and energy, it will sabotage a potentially powerful point.  Sometimes it’s just not worth the time and effort needed.

4. Will it overwhelm the text and the message? Sometimes you have the opposite problem.  The image is simply too powerful, too emotional, too overwhelming.  What if the listeners go away with the movie scene resonating deeply, but the text overlooked and the message ignored?  Hollywood are masterful creators of emotional experience.  They know the power of this.  They know what effect it has in conveying their strong agenda.  Very few preachers get the importance of this.  Often our “agendas” fall short (not because we lack visual stimuli – throwing money at a film and adding effects doesn’t guarantee any positive reaction!)  Often we underwhelm, and a movie example can overwhelm, even without showing any of it.  Think it through before you use it.

5. Will it create inappropriate association? What if a movie gives a great example of a principle, but does so in a setting that inappropriate in association with Scriptural truth?  Consider all the great love stories that move so many people deeply, but are actually tales of unfaithfulness, impropriety, stirring the viewer to hope the marriage can end so they can find true love, etc.  Or what about the plethora of potential illustrations in the series that has captured so many of the younger generation . . . Harry Potter.  If you don’t raise a query about the appropriateness of the HP narratives in connection with biblical truth, someone else will.

This post sounds anti-movie illustration.  Not at all.  I use them sometimes.  It is anti-unthought-through movie illustrations!

Preaching and Those Few Key Sentences

/ Peter Mead / 1 Comment

How many hundreds of sentences are used in a sermon?  And they all matter.  But they don’t all matter as much as a few of them.  I suppose I would suggest the following sentences as worthy of extra effort:

1. The Main Idea. Hours might be spent crafting and honing the main sentence for a message.  That would be hours well spent.  The main idea is the boss of everything in the message, it is the filter through which much extraneous “good stuff” is sloughed off.  It is the burning hot focus that is to be seared into the heart and mind of the listener.  It brings together understanding of the passage with emphasis on the life-changing relevance for the listener.  The main idea really is all it’s cracked up to be, and it’s absence will only confirm that billing!

2. The first sentence. It’s great to start the message with an arresting introduction.  Instead of beating around the bush until you get into your stride, much better to start with a bang.  It may be a startling sentence.  It may be an intriguing sentence.  It may be a contemporary paraphrase of that infinitely powerful sentence, “once upon a time . . . ” (narratives do grip listeners fast!)

3. Transition sentences. I think transitions are oft-neglected.  A good message with poor transitions will lose people.  Give some extra effort to transitioning slowly, smoothly, safely.  Keep your passengers in the car when you take the turns.

4. The final sentence. That last sentence can ring in the ears as silence descends and you move to take your seat.  Despite the best efforts of over anxious worship leaders or people chairing meetings, the final sentence can resonate in a life.  Don’t fizzle to a halting stop.  Stop.  Clear.  Precise.  Having arrived at your destination.  Having achieved your goal.  Having parked the message with exactly the final sentence you determined.

Preaching may involve hundreds of sentences, but a few of them are worth extra careful crafting!

Excessive Abstractions and Principles Too General

/ Peter Mead / 2 Comments

Preaching an ancient text to a contemporary congregation will usually require some level of abstraction.  To preach an ancient instruction simply as it stands is to present a historical lecture, rather than a relevant presentation of inspired truth.  Some preachers simply say what is there and effectively offer historical lecture.  Other preachers abstract from historical specifics to timeless abiding theological truth, but end up preaching vague generalities.

To grasp what Robinson calls the “exegetical idea” and move through the “theological idea” to get to the “homiletical idea” is not easy.  The end result needs to be clearly from the text or the authority has been lost.  Yet the end result has to be specifically clear in its emphasis on the relevance of that text to us or the interest is lost.  One temptation is simply to play it safe, perhaps too safe.

What I mean by that is that we might derive a general, borderline generic, principle from a passage and move from historical explanation (often curtailed) into general application of this general principle.  Was the message true?  Yes.  Biblical?  Yes.  Relevant?  I suppose so.  Life-changing?  Probably not!  Sometimes it is a fear of fully engaging the text that can lead to this “generic” preaching.  Other times it is a fear of fully engaging the listeners that leads to it.

John Stott’s metaphor of the preacher as bridge-builder is helpful here.  The best preaching will not only touch both the world of the Bible and the world of the listener.  The best preaching will be firmly rooted, planted, engaged with and connected to both worlds.  Let’s not preach vaguely biblical abstract generalities.  Let’s really preach this text to these people!

Of Bifurcations and Dichotomies

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Most people have a tendency to think in black and white categories.  Something is either right or wrong, good or bad.  In order to get from the complex world of reality to the comfortable world of clear categories, we tend to bifurcate inappropriately and end up with inconsistent dichotomies.  For example?

Well, consider the two issues of communication style and biblical content.  These are two issues.  Yet for many people they seem to have been melded into a one or the other dichotomy.  So if a preacher has an engaging and natural style, then the content must be weak and lightweight.  Equally, if I am to preach biblically, then my style must needs be less than connecting.  The apparent truth of this thinking is seen in so many preachers, but there is real fallacy here.

I just listened to a series of messages that could be labeled as seeker friendly in style, certainly very natural and engaging.  Therefore biblically lightweight?  Not a bit of it.  Actually I found a couple of them stunningly effective in how they handled the text and communicated it to the listeners.  That’s not to say that all such messages are biblically solid, but it’s equally wrong to assume all are not.

Natural engaging style that is connecting with the unchurched is one issue.  Biblically solid and rich content is another issue.  One doesn’t mitigate against the other.  Let’s not be too quick to dismiss.  Equally I listened to an older message that was biblically solid, but wouldn’t qualify as contemporary in style.  Stodgy, boring, irrelevant, cold?  Not at all.  It was deeply moving and highly helpful.

Let’s be careful not to combine and confuse categories in order to create clear categories for ourselves.  Life, and ministry, is lived not in many blacks and whites, but in numerous complex layers of grey.  That statement does not in any way argue against objective truth, as it could so easily be misquoted.  Rather it urges us to engage the complexity of life, of ministry, of preaching.  And on the example given in this post – let’s be both biblically solid and communicatively natural for the sake of ministerial effectiveness.

A Tired Feast

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Sunday morning I preached the last of the messages.  I’d taught class for four days, but then things got busier.  Between Thursday evening and Sunday morning (60 hours) I spoke six times, taught two sessions, and travelled many miles by car, train and aeroplane.  Not the busiest few days, but among the tightest in terms of the travel schedule.  So Sunday afternoon I got on the train to start the journey home.

I was tired and knew that attempting to read or write would be borderline futile.  So instead I chose to enjoy a tired feast.  Stopping only to hand over my passport or order food, I basically spent the next hours listening to about a dozen messages from about seven different speakers.  Subjects were varied.  Speakers truly diverse – from Stan Toussaint and Ron Allen to a series from Andy Stanley and even a few minutes of Ken Davis.  I drifted a couple of times from eyes closed to actually asleep, so I moved back and listened again to those minutes.

I didn’t listen to make observations on preaching technique.  I didn’t listen to gain ideas for illustrations or preaching strategies.  I listened because I knew I needed to be fed.  I was fed.  Actually, I feasted.  A stunning illustration of Isaiah 53:10 from an elderly scholar.  A moving introduction to a message on life’s pivotal circumstances from a contemporary communicator.  An inspiring series on growing in faith.  A great example of traditional preaching on the tabernacle.  A well-shaped presentation of the raising of Lazarus.  A non-traditional survey of a theme in John’s gospel.

Sometimes we need to stop giving out and take the time to be fed.  Hungry?

Preaching Longer Narratives – Part 2

/ Peter Mead / 2 Comments

Yesterday I began to respond to Anthony’s question about preaching longer narratives:

How do you handle the tension of wanting to tell the story as it was intended to be told and not wanting to overload the hearers?

We saw that how a story is told is critical (more critical than the amount of information included).  We saw that not every detail requires equal focus.  This leads on to another thought that is sometimes hard for some people to accept:

4. True expository preaching does not always require every verse to be read out. With a long text, tell the whole story, but read selected highlights.  The readers can look down and check what you are telling is accurate, but you don’t have to read every verse in the preaching of the text.  If you preach a narrative in first person, you probably won’t read any of the text, but still you need to preach the text!

5. Remember the three ingredients in a sermon. A sermon consists, according to Don Sunukjian, in the combination of three elements.  A biblical text plus the big idea plus a preaching purpose.  Often sermons are lacking one or two or even all three of these ingredients!  The biblical text ingredient means that the message is the text’s message, not a superimposed preacher’s message.  Usually this means the text will be opened and read before or during the sermon.  However, in a longer message, the text may only be read in part.  For instance a single sermon on Romans as a whole will not read the whole thing, but probably will include the reading of 1:16-17 and a few other key highlights.  The same is true with a long narrative.

What is always important is not that every word be read, but that the listener is confident that this message is the true and exact message of this text.  They can look down while you’re preaching and see it there, they can pull a Berean attitude and check it out later for themselves.  Usually the best way to build confidence in the biblical textual nature of the message is to read the whole text and let the exposition show clearly there, but that is a typical strategy, rather than an absolute requirement.  With a long narrative the sense of purpose and a clear statement of the main idea are critical, but the biblical source of the message can be conveyed without full detailed exegetical explanation of every verse, or even the reading of every verse.

Preaching Longer Narratives

/ Peter Mead / 2 Comments

Anthony asked the following after one of the posts last week:

I preach only occasionally, and have tackled a couple of narrative passages recently. I like to respect the narrative chunks in the text, which often have a clear beginning, middle and end. But last time I ended up preaching two whole chapters (75 verses), which was probably a bit much!

I’d be interested to hear what you think about this. How do you handle the tension of wanting to tell the story as it was intended to be told and not wanting to overload the hearers?

This is an important question.  After all, not every biblical narrative is contained within a few verses like some of the parables, there are some substantial narratives in the Bible.  The David and Bathsheba narrative lasts for nearly 60 verses if you include Nathan’s visit.  Anthony is referring to one lasting for 75 verses.  A few points to bear in mind:

1. Listeners are more overwhelmed by how something is told than what is told. Especially with narratives, if they are told well, listeners will be glued.  Tell children a good story in a compelling way and they won’t be asking you to stop so they can go to sleep.  Let’s assume the narratives are good ones since God inspired them, that just leaves the storyteller to do their job well.  I’ve sat through the most compelling stories told painfully, but it shouldn’t be that way.  Let the story live, tell it well.

2. Good storytelling involves both detailed description and pace change. When you’re telling a Bible story, there are times when you need to add detail to the description to help the images form on the screen of the listener’s heart.  There are other times when the story can move ahead in leaps and bounds.  The text does this, so can you.

3. True expository preaching does not require equal attention to every detail. The traditional read a verse, explain a verse approach to preaching can become burdensome with a 75 verse narrative.  Tell the whole story, but focus in on the details at key points in order to convey the true message of the passage.  This requires absolute attention to every detail in preparation, but selective focus in delivery.

A couple more thoughts tomorrow on this . . .

Textual Tone – Deduce, Demonstrate, Declare

/ Peter Mead / 2 Comments

Each text in the Bible has a tone.  We are often oblivious to it.  Our training in Bible school tends to focus on analysis of content.  Most sermons tend to train listeners to look at content (or perhaps to largely ignore the text and just bounce off it, but that’s another matter!)

I often find myself trying to figure out the tone of an email.  Was this writer annoyed, or discouraged, or aggressive, or manipulative, or did it come out wrong?  Is this email an encouragement out of empathy, or is it a patronizing exhortation?  We learn with our contemporaries that written language doesn’t always communicate tone overtly, yet tone is so significant to the intended communication.

With Bible texts we can’t meet up with Paul or Moses to double check their intent.  So we do well to wrestle with the tone of the text.  Let’s be diligent in this:

1. Deduce the tone. Don’t settle for simple cold analysis of content.  Wrestle with grasping the tone of the passage.  Allow that to be a factor in your understanding the passage and then in your preparation of the message.

2. Demonstrate the tone. Too often preachers preach every sermon in monotone.  Not necessarily their own vocal range, but rather the tonal range of the whole collection of sermons.  Some preachers turn every encouraging passage into a guilt-driven rebuke.  Others neutralize every passage they touch to make it a sterile set of philosophical musings.  Our preaching will be enriched by demonstrating the tone of the passage . . . as I seem to add a lot . . . appropriately.

3. Declare the tone. People may be so trained in tone-less preaching that simply improving your delivery may not be enough.  Sometimes overtly declare the tone of the passage.  I preached on Luke 11:1-13 recently . . . all about prayer.  A subject that most believers feel very inadequate in, and pressured by, is prayer.  Yet the tone of the passage is overtly encouraging.  I tried to demonstrate that tone.  I also chose to declare it overtly – this passage is not pressuring us, it’s overtly encouraging in its tone!  People need to become sensitized to the tone of Scripture.  They need to feel the emotion, the anger, the encouragement, the grace.

Let’s be sensitive to the text, and let’s help to sensitize others too.

Push Through To Unity of Main Idea

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When you are confident that you are dealing with a legitimate unit of text, then you can be confident that there is unity to the idea contained in that text.  You will often need that confidence.  Usually a passage doesn’t offer its unity on the lowest branch.  It can take work and real wrestling in order to determine the united single main idea of a passage.

Here’s one approach:

1. Read the passage multiple times. Early on you probably need to make a note of questions you have on the first run through since these will be the questions listeners have as they hear it on Sunday.  However, you can’t prepare a message after one read through.  Soak in the passage.  Study it.  Revisit it. And again.

2. Answer the question – “what’s this passage about?” Not the easiest question, but an important one.  It’s asking not for specific detail (such as “what stood out?” or “what’s your favourite bit?”) but for general overview observation – “what’s it about?”  You may have two or three things that the passage is dealing with.  For instance, a friend of mine is looking at Isaiah 6.  Early thoughts are that it is about God’s majesty and holiness, but it’s also about Isaiah’s call into ministry, plus there’s the often neglected last part of the chapter too.

3. Consider whether the answers you have are roughly equal in weight, according to the measure of the passage. It may be that one part has made it onto your list because you’ve heard about it before, it’s familiar, you like it, etc.  But is it really a fair answer to the question “what’s the passage about?”  If it is really a subordinate issue, tentatively drop it.  If not, if each element is genuinely weighty in the passage, then . . .

4. Consider how the elements might be combined, rather than viewed exclusively. Perhaps Isaiah 6 is not about God’s majestic holiness or Isaiah’s call into ministry, but rather a combination of the two?  After all, isn’t Isaiah’s call in the context of an encounter with God?  How about the message he’s given . . . how does that fit?  Is there a contrast between Isaiah’s responsiveness and the rest of the people of unclean lips?  Keep wrestling.

Next time I’ll suggest a few other approaches if this one isn’t working.

TheologyNetwork.Org Article

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A modified form of an article I wrote a while back has now been posted on theologynetwork.org . . . here’s a taste:

True exposition should not be boring, for we would not want to give the impression that God gives of Himself in self-revelation in a way that is boring.  True exposition should not be disconnected from real life, for in the incarnation we see God giving of Himself, His ultimate self-revelation, in the most relevant manner imaginable.  Perhaps if more preachers would truly grasp the need for effective hermeneutics in their sermon preparation, perhaps then we would not have so much occasion to point the finger at others and complain of dumbed-down diet sermonettes abounding in our generation.

But is improved hermeneutics enough?  The article makes a further move that I believe is critical and often overlooked.  To read the article, and then look around at the excellent resources, click here – www.theologynetwork.org