Stage 6 – Message Idea

Ingredients for Creativity

/ Peter Mead / 2 Comments

If you want to increase creativity in your preaching, what is needed?

1. Time. If you are squeezed for time then it will not be possible to add the extra work needed (and the thinking capacity needed) for adding creativity to your preaching.

2. Freedom and trust. It is important to know the congregation to whom you preach.  Many will not easily accept more creative approaches to preaching unless there is first a building up of trust and a shared commitment to the core elements of true preaching (i.e. that a particular form is not the definition of faithfulness to the ministry!)

3. Better reading of the text. We need to grow in our ability to thoroughly engage with texts and recognize their genre, their features, their mood, their narrative context, etc.  Better Bible study can help develop more creative preaching.

4. Awareness of yourself as a preacher. We all need to know our own strengths and weaknesses in preaching.  Are you effective in description, in storytelling, in timing of key phrases, in disarming listeners, in role-playing, etc.?  Don’t get too creative in areas of weakness, but built on the strengths first.

5. Exposure to creative and different preachers. Don’t just copy what someone else has done, but if you are never exposed to other preachers, you will struggle to break out of the confines of your own style and tradition.

What would you add to this list?

You Can’t Cover Everything

/ Peter Mead / 1 Comment

People appreciate expository preaching if it is done well.  People tend not to prefer the taste of exhaustive preaching.  The preacher is always tempted to try to cover every angle on every detail in the text.  After all, you’ve probably put hours of work into prayerful study and research, much of which has proved to be interesting and helpful to you.  But when it comes time to preach, selectivity is required.

Here is where the Big Idea becomes such a big deal.  Having the sharp focus of a main idea that reflects accurately and relevantly the main idea of the passage allows you to determine how to be selective.  An avenue of detail, or an anecdote of background information, or a cross-reference, or an illustration, or a side-point, or a personal soapbox, or whatever . . . if it doesn’t fully support that main idea, then it is immediately under scrutiny and should probably be chopped.

Selectivity has to take place before preaching.  Preparing to preach is not just about studying the passage.  Effort is required in preparing the message too.  Going into the preaching event stuffed full of information and selecting as you deliver tends to be as effective as planning your conclusion when you arrive at the end of your preaching time.

As Haddon Robinson has put it, “preaching can be like delivering a baby, or like delivering a missile.  In one your goal is to hit the target, in the other, your goal is to just get it out.”  It is in the “baby delivering” sermons that listeners tend to confuse expository preaching with exhaustive, exhausting, rapid-fire or overwhelming preaching.

Selectivity is probably one of the hardest skills and disciplines in preaching to master, but one of the most important.

Here’s a post from the early days . . . just for old time’s sake!

Points in a Narrative Text Sermon

/ Peter Mead / 14 Comments

There is a field of homiletics referred to as narrative preaching, but this post is concerned with the preaching of a narrative passage – eg. David and Goliath, Joseph in Potiphar’s House, Hannah & Samuel, etc.

In other posts I have encouraged the use of full sentence points, rather than descriptive titles that make the message outline look like a commentary synopsis.  The full thoughts help you communicate effectively, generally avoiding historical past tense sentences helps you not sound like a commentary recycler.  But it is worth clarifying a couple of points on points:

1. If the message structure reflects the story structure, then some points may be better stated in historical terms. What I mean is that in an attempt to be contemporary, we can end up making three or four life principles out of the developing elements of the story, rather than allowing the story to be told properly.  The problem then becomes a moralizing approach to the details of a story, rather than allowing the force of the story to stand behind the main point, which itself might best be the only focus of application.  Stories that are told effectively will hold attention, so it is not necessary to generate points of relevance or application throughout the detail of the story.  Pay careful attention to the introduction, generating a definite sense of sermon relevance there, then feel free to be in the world of the narrative for a large part of the message, continually building to the relevance that may only become overt in point 3 or 4 (i.e. whenever the main idea is revealed with its abiding theological thrust).

2. Shorter biblical stories may work best with a default sermon outline. Namely, point 1 is to tell the story.  Point 2 is to state and clarify the main idea of that story.  Point 3 is to reinforce and drive home the application of that main idea.  In this case point 1 is automatically historical.  Point 2 should be written in contemporary terms.  Point 3 has to be contemporary, including all sub-points.  Again the introduction is important, but I suspect that will be the case in almost every sermon that we preach (whether we give it the necessary attention or not).  This approach underlines the fact that the outline of a sermon is for your eyes only.  Once we realize our goal is not to transfer an outline, but to give the text in such a way as to clarify the main point and apply it, then we are freed from the burden of turning every narrative into a parallel rhyming assonated demonstration of guilded wordsmithery.

A Classic Contrast Revisited

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In Between Two Worlds (I Believe in Preaching), John Stott contrasted the typical weakness in more liberal churches from the weakness in the preaching in more conservative churches.  One connected with the audience, but had no rooting in Scripture.  The other started with Scripture and built straight up to heaven, without ever touching down.  Timothy Ward’s book Words of Life revisits this contrast.  Allow me to paraphrase:

Some churches aim to give hope and inspire faith, but do so by proclaiming a Christ different from the Christ presented in the New Testament.  This is achieved by honouring the purpose of a text without being shaped fully by the content.  (Incidentally, this also happens in more conservative churches where a particularly elevated value is given to passion and emotion.)

On the other hand, some churches are driven by content, but seemingly unaware of the purpose for which that content was communicated.  In the more conservative churches there is a tendency to see the preacher as primarily a “Bible teacher.”  True biblical preaching should neither by-pass, nor settle for, faithful exegetical and doctrinal instruction.

Let me quote Ward’s conclusion to the section: “Properly faithful biblical preaching involves the preacher deliberately seeking to fashion every verbal (and indeed physical) aspect of his preaching in such a way that the Spirit may act through his words in the lives of his hearers, ministering the content of Scripture in accordance with the purpose of Scripture.” (p165)

Without wanting to critique Stott’s great book in any way, I have to admit I am really excited by what Ward has done here.  Scripture is not just a repository of truth which the preacher must purposefully land in the lives of the listeners.  The preacher’s task includes sensitivity to the original author’s purpose (or intent) as well as content, which must be effectively and sensitively communicated to the contemporary listeners.  What Stott would probably affirm (and I’m not checking the book, so he may overtly state this), Ward does overtly state.  Preacher, in your passage study, be sure to recognize the author’s intent as well as content.  Then preach so as to appropriately do what the passage did, as well as saying what the passage said.

“The Spirit is again graciously present in the preached message, if what is preached now is faithful in purpose and content to what he once inspired.” (p.165, italics original)

Don’t Rush

/ Peter Mead / 1 Comment

I’m not referring specifically to the speed of delivery here.  Some of us need to slow down sometimes, others could really do with speeding up slightly, and we all need to be sensitive to the particular listeners before us.

I am referring to the pace of information being offered.  It is easy, especially after studying for many hours, to overload the listeners’ bandwidth.  Listeners need time to process information.  Images take time to form.  Stories take time to tell.  Take the necessary time.

As well as taking the necessary time, be aware of the aural equivalent of optical illusions.  There are things we do that may not speed up the pace the words are emerging, but will give the impression that the information is rushing out:

1. Mini illustrations, quotes and anecdotes. It is easy to jump through illustrations really quickly.  It may work, or it may overwhelm the bandwidth.

2. Piling up Biblical illustrations. It is so easy to jump in and out of a biblical book, then another, and another.  All the while you are seeking to underline the point of the main passage, but listeners can easily feel overwhelmed with unfamiliar contexts and content (even if they know the contexts, it still takes mental effort to process a passing illustration).

3. Key explanations unrestated. It is easy to make a vital connection.  I was just listening to a sermon where a key, critical, vital connection was made in the space of a handful of words.  “Here xyz means jkl.”  It was a link that required some backing up and explanation.  It slipped by and the next five minutes I was struggling to listen because I didn’t get the four-word sentence (I understood the sentence, but couldn’t see how he got there from that verse).

4. Transitions. While it is possible to drive quickly down the straight road, we need to slow down through corners.  Transitioning between one point and the next is a critical moment in the message, but it is so easy to fly through the bends.

5. Multiple purposes. If you are trying to achieve too many things, the message will feel choppy and disconnected.  When listeners can’t follow the flow that comes from unity of purpose, they will feel like the message is firing in multiple directions and therefore struggle to take it all in (in fact, they won’t, they’ll reprocess for unity and probably make the main thing the most compelling illustration or story used!)

Let’s beware of things we may do that give the sense of being too fast.  Allow listeners enough time in the passage you’re preaching to let it soak down into their lives and saturate their hearts.

Preacher’s Block

/ Peter Mead / 2 Comments

Years ago I read Heralds of God by James Stewart.  I just read a response paper sent to me by a friend.  It’s time I read the book again. He reminded me of Stewart’s advice regarding preacher’s block, or those times when artistic inspiration simply is not flowing, but discouragement is pouring in like a flood.

It is too easy to listen to our moods.  It is too simple to await the great thoughts before we begin.  Stewart quotes Quiller-Couch, “These crests [of inspiration] only arise on the back of constant labour.”  How true it is that moments of inspiration tend to reflect hours of perspiration.

I have a lot of preparation to do this week.  How easy it is to allow the flesh to control the process and wile away the hours with relatively meaningless tasks while awaiting some flash of divine enablement.  Can I trust the Lord to enable me as I graft at the preparation?  Bend the knee and pray.  Pick up the book and read.  Take up the pen and write.  Stretch out the fingers and type.  Simple really, but how easy to justify another path.

One Simple Truth, One Wonderful Christ

/ Peter Mead / 1 Comment

I am sitting in the airport waiting for my ride home, so this will be a short and jet-lagged post (or perhaps a long and jet-lagged post since shorter is always harder!)

How easy it is in preaching to give too much information and not enough of the Lord.  Listeners are more easily overwhelmed with information than we realize.  We have processed information and refined it, allowing us to present a lot of information in a short amount of time (shorter than it took us to understand it!)  So it is very easy to overwhelm our listeners with more than they can take in while trying to listen at the same time!

We can easily pack sermons with information, with background material, even with the often lauded illustrations and applications, but still make very little of Christ (or of any person in the Triune God we worship).  So easy to default into speaking about us, but not really offering Him to our listeners.

While every sermon is different, somehow we need to present one simple truth, an understandable principle, while at the same time offering the compelling and captivating God of the Bible (lest we turn His self-revelation into a mere manual for effective living).

Application Is Not Always Last

/ Peter Mead / 2 Comments

Traditionally preaching means reading a text, explaining it at length and then eventually fitting in a block of application if time permits.  Practically that is rarely the best approach.  If emphasizing the relevance of the text is as much a part of our task as explaining the text (but necessarily requiring the explanation in order to have any authority), then we need to think about how to increase the sense of relevance in our preaching.  A few thoughts:

1. By explaining as much as necessary, but not over-explaining, we create time for application. It is tempting to try to present all the proof of our study, every nugget, whenever we preach.  It takes a commitment to application to only explain as much as necessary and use the rest of the time to target emphasizing the relevance to our listeners.

2. By stating our points and main idea in “us” terms, we drive relevance to the surface (and drive it deeper into the listeners). It doesn’t take much to state the point in relevant terms, then step back into the world of the text to explain and support that wording, following up again with an emphasis on relevance.  Instead of sounding like we’re preaching a commentary, instead we can sound like we’re speaking directly to our listeners.

3. If the main idea is the take home truth, why wouldn’t we try to put it in “us” terms? It may not always work, but often the main idea of the message can be stated relevantly, rather than historically or in abstract form.  This is the synopsis of the whole that we really want seared into the lives of our listeners.

4. Introduce relevance in the introduction. Don’t presume people are desperate for a sermon on 2nd Chronicles 13.  They probably didn’t come with that on their minds.  So use the introduction to demonstrate the relevance of the passage, the message, the speaker.

5. Even in explanation, season with relevance. It doesn’t take much time to drop in comments relating the back then to today.  Even the briefest of comparisons in the telling of an ancient narrative can shed contemporary light and give the sense of relevance to the listeners.

Application logically comes last in a message.  But if our goal is effective preaching, we’ll look for ways to integrate applicaton (in its various forms) and relevance throughout the message.

Exposition, Narrative and a Pot of Soup

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There is a common misunderstanding of expositional preaching in relation to Bible stories.  I’ve heard the analogy used of a pot of soup.  A narrative sermon is like a pot of soup prepared carefully to be enjoyed by the guests – an experience to be savoured.  An expositional sermon is like an explanation of the recipe of the pot of soup.  Recognizing the difference between narrative preaching and preaching narratives, let’s engage with this analogy briefly.

With some preachers this negative recipe description may be fitting, but that doesn’t make the analogy accurate.  An expository preacher is concerned about communicating the point of the passage, rather than seeking to explain the point of every detail.  A good expository preacher knows that a story has its own way of carrying and conveying its point.  Thus a good expositor preacher, preaching a story, will not dissect it into a lifeless and experience-free recipe, but will communicate the story as effectively and accurately as possible.

What needs to be added to the telling of the story?  Any necessary explanation to make sense of it.  An underlining of the point, exposed for clarity, but appropriately timed so as not to undermine the impact.  If not inherently implicit, some form of emphasis on the contemporary relevance of the story.

What isn’t needed is endless detailed explanation, or numerous unnecessary and disconnected illustrations, or ill-timed statements of the proposition, or commentary-style titles for each segment of the message, or a manner which robs the story of its emotion, tension or energy.

When you preach a story, be sure to be expository . . . but not the wrong kind that feels like the explanation of a recipe!

Serve a Meal to the Guests

/ Peter Mead / 3 Comments

What if preaching were like hospitality – what would your guests experience?

Arriving at the door, slightly tentative about what may follow, they are rushed in and quickly seated.  No time for friendly interaction, there’s a meal to be eaten!  Before them the table is empty, but is continually filled as numerous covered serving dishes, pots and plates continually emerge from the kitchen.  In your zeal to feed them (and to show them everything you’ve done in preparation), you quickly uncover the first dish and serve a spoonful of carefully prepared french beans (the best result of your culinary efforts).  Then as they take their first taste of this fine cuisine you clear their plate, uncover another dish and serve some burned peas, swipe them off the plate and dish out an undercooked steak.  This continues with vegetables in various states of readiness, and an assortment of meats from a variety of animals (some familiar, some more exotic).  To break the intensity you also serve a big scoop of ice cream, before moving back to the main course again.  Your guests look bewildered at the experience, barely managing a bite before receiving more food and the odd sniff of a dessert.  Finally after forty minutes you pull away their plate and extend your hand for a firm handshake.  They smile cautiously and thank you for all your hard work before filing out of the front door.

I hope this wouldn’t be the case!  How much better to be welcomed and made comfortable?  How much more satisfying to enjoy the finest meal you could prepare and nothing more?  How much more comfortable to not have to experience every culinary idea you had and every cuisine cul-de-sac you entered in the last week as you planned and prepared the meal?  How much better to savour the meat chosen, rather than having a whistle-stop tour of all your favourite meats in your meat guide (concordance)?  How enjoyable to enjoy the side dishes and vegetables chosen to compliment the main meat of the meal?  How much better to partake of dessert when it is appropriate, rather than as a forced interlude in a manic meal?  How nice to have time to chew on the good food received?  How much better to receive a carefully prepared meal than an overwhelming force-fed food dump?  How nice to not have to come up with something polite to say at the door!

It can be a real blessing to be a guest for dinner.  It can be even better to be fed from the pulpit!

(Feel free to interpret this post in the comments, perhaps someone else missed what you observed!)