Points in a Narrative Text Sermon

There is a field of homiletics referred to as narrative preaching, but this post is concerned with the preaching of a narrative passage – eg. David and Goliath, Joseph in Potiphar’s House, Hannah & Samuel, etc.

In other posts I have encouraged the use of full sentence points, rather than descriptive titles that make the message outline look like a commentary synopsis.  The full thoughts help you communicate effectively, generally avoiding historical past tense sentences helps you not sound like a commentary recycler.  But it is worth clarifying a couple of points on points:

1. If the message structure reflects the story structure, then some points may be better stated in historical terms. What I mean is that in an attempt to be contemporary, we can end up making three or four life principles out of the developing elements of the story, rather than allowing the story to be told properly.  The problem then becomes a moralizing approach to the details of a story, rather than allowing the force of the story to stand behind the main point, which itself might best be the only focus of application.  Stories that are told effectively will hold attention, so it is not necessary to generate points of relevance or application throughout the detail of the story.  Pay careful attention to the introduction, generating a definite sense of sermon relevance there, then feel free to be in the world of the narrative for a large part of the message, continually building to the relevance that may only become overt in point 3 or 4 (i.e. whenever the main idea is revealed with its abiding theological thrust).

2. Shorter biblical stories may work best with a default sermon outline. Namely, point 1 is to tell the story.  Point 2 is to state and clarify the main idea of that story.  Point 3 is to reinforce and drive home the application of that main idea.  In this case point 1 is automatically historical.  Point 2 should be written in contemporary terms.  Point 3 has to be contemporary, including all sub-points.  Again the introduction is important, but I suspect that will be the case in almost every sermon that we preach (whether we give it the necessary attention or not).  This approach underlines the fact that the outline of a sermon is for your eyes only.  Once we realize our goal is not to transfer an outline, but to give the text in such a way as to clarify the main point and apply it, then we are freed from the burden of turning every narrative into a parallel rhyming assonated demonstration of guilded wordsmithery.


4 thoughts on “Points in a Narrative Text Sermon

    • Hi Brandon – I presume you are asking in relation to the first part of the post? Let me give an example from a book. It is a sermon based on John 8:1-12. Here are the points:

      1. Jesus, the Light of the World, was caught in the tension of grace to a sinner and upholding the law. John 8:1-6a
      2. Jesus, the Light of the World, exposed the condition of all men and women. John 8:6b-11
      3. When we are exposed by Jesus, the Light of the World, we have a choice. John 8:12 (and main application)

      I’m not saying it is a perfect outline, but it does serve to demonstrate how points 1 and 2 are written in historical description because of telling the story. The third point is stated in today terms (i.e. “we”). Typically I would want all points to be stated in today terms, but not necessarily if a story is being told.

      If we had a more extended example from somewhere like the life of Joseph in Genesis, using today terms for points/movements might make it sound like a series of mini tales, each with their own moral for today. Much better to live in the story and then make the main idea the main applicational thrust for today.

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