How does the sermon relate to the singing elements of the service? Here are a few thoughts:
Singing is not the warm-up. In some circles the singing elements of the service seem to function essentially as a warm-up before the main event, which is the preaching. While I don’t deny the centrality of the Word in the protestant faith, I don’t think the musical element of church life needs to be disparaged either. The Christian faith is a revelation based faith, and it is a singing faith. Churches do well to give their best musically, as well as in preaching, and in reality this requires different parts of the body to be functioning in their respective areas of gifting and passion.
Singing doesn’t have to just come first. In some settings it is traditional to have a period of singing, interspersed with prayer and sometimes notices (how to not overdo notices or kill the atmosphere is worthy of a blog in its own right!). This is then typically followed by the sermon at the end, perhaps with a song to finish. Some messages seem to set up the opportunity to respond in song, so sometimes it may be good to bring the message earlier and have musical response.
Singing isn’t always a good idea at the end. Sometimes the sermon ends, there’s a prayer, a sense of quiet, and then the leader flicks the switch and introduces a song. The closing song can be so powerful, or so counterproductive. If the song switches people out of Bible and faith mode into normal world again, then perhaps it would be better to omit it. The message of God’s Word, the stirring of faith, the gaze on Christ, etc., should all continue on into the week ahead, not stop abruptly with the singing of a closing song.
Tomorrow I’ll offer a few more thoughts on sermon and song . . .
