Biblical Genre

Mindset Switch on Texts

/ Peter Mead / 1 Comment

The traditional approach to preaching a Bible passage is that it is a collection of data, probably in an antiquated form.  So for many preachers, coming to the text is coming in search of sermon content – data to be transmitted, information to be mined and presented.

In recent years awareness has increased significantly in regards to the inherent strength and function of Bible texts.  They are not collections of data presented in incidental forms.  Rather, it is becoming clearer to many that God speaks through the texts as texts.  God speaks not only through the information contained in a text, but also through the way that the text itself functions.  God did not only inspire the content, but the genre and form of the passage.  Poetry is poetry for a reason.  Discourse is discourse on purpose.  Prophetic writing is that way for a reason (this being a positive reason, not just an excuse to dismiss any content that doesn’t fit with your theology, as I see an alarming number of people doing these days).

If you are still of the mindset that a Bible text is a collection of data to be mined for personal edification and sermon preparation, please consider this switch.  Treat a text as a piece of purposeful communication.  The genre matters.  The form matters.  The function of the text is a key factor to consider in understanding the text.

The Hardest Genre? Part 2

/ Peter Mead / Leave a comment

Yesterday we looked at just some of the challenges that come with preaching epistles, gospels and historical narrative. Now for the other four genre. Which do you find the hardest?

Poetry – Psalms and songs are readily leaned on in times of personal trial, but preaching them well is not so easy. The imagery is sometimes alien to us. The forms and structures are unfamiliar. The genre taps into the affections and emotions in a way that can be difficult to communicate. The temptation to dissect and turn the passage into an epistle is very real. As is true with every passage, but especially here, the passage does not give a complete theology of . . . whatever it’s about.

Wisdom – The Hebraic parallelism and other forms of wisdom literature are especially foreign to our ears. The wisdom literature often sits in the context of a covenant system that applied uniquely to Israel in relationship to God, so application can be treacherous territory if we’re not careful. The brevity of statement provides a different challenge than an extended narrative.

Prophecy – Written by a certain kind of person, to a certain people, at a certain time . . . none of which is the same today. It can be really challenging to enter into the historical context of the prophet, and also to enter fully into the written context of the book (where the start and end of each burden/oracle is often hard to discern). While the prophets reveal the heart and plans of God very boldly, there is plenty in form and content that appears obscure to contemporary ears and sensibilities.

Apocalyptic – Biblical apocalyptic is a genre that is challenging to contemporary interpreters. Many seem so quick to dismiss the content by reference to the genre that all meaning is apparently stripped from the texts. Then there is the conflict in the commentaries and even disputes in the pews over issues of eschatology that can quickly zap any zeal to announce an apocalyptic preaching text. As with prophecy, the challenges are there in terms of interpreting in context, and in applying to contemporary listeners.

Personally I would list the hardest for me as: 1 – historical narrative (Old Testament), 2 – wisdom, and 3 – apocalyptic (because of the potential problems from the pew, more than the interpretation of it). What about you? Let’s make sure we’re not avoiding some genre and growing complacent with others.

The Hardest Genre?

/ Peter Mead / Leave a comment

What is the hardest genre to preach well?  Every genre has its own challenges.  Here’s a list of biblical genre with some brief points on why each can be hard to preach well.  I’ll tell you what I find the toughest, but your top three toughies might be different.  Let’s not avoid the ones we find tough, nor grow complacent in the “easier” genres.

Epistle – Many would list this as the easiest genre to preach.  The original audience is closest to ours, the direct communication translates relatively easily into a sermon and application is often straightforward.  The challenge can be over-familiarity and how to preach with a sense of tension or intrigue.

Gospels – Most of the stories are very familiar, but sometimes small details can really pose problems in interpretation.  It is challenging to really see each unit of thought as it fits in the flow of the text.  It isn’t always easy to sift Jesus’ motives in the action and the author’s motives in how the action is presented.  If you are not good at telling a story, then the gospels can be really challenging.

Story (History/Narrative) – Some stories are very familiar, others are borderline bizarre.  As with the gospels it is not always obvious what the author is doing in stringing episodes together.  With Old Testament narratives you also have the challenge of communicating the story with a sense of relevance to today, as well as the burden of appropriate application.  Then there is the difficulty of unknown geography and lack of familiarity with biblical history among our listeners.

Tomorrow we’ll complete the list of the biblical genre.  I’ll list my hardest three, for what it’s worth, and you can comment with yours . . . feel free to add pointers to the challenges you face in any particular genre – this would be helpful for others to ponder too.