Preaching Story: The Challenge of Acts

Are there specific challenges with preaching the narratives of Acts? I think so, but it’s a book I love to preach from.  Let me offer a few points to ponder:

1. Acts is not all action.  Every biblical narrative tends to lean heavily on dialogue as a key feature in the inspired telling of the story.  Ancient texts were often punctuated with the pause presented by means of speeches.  To see Acts in all its glory, it is vital to see how the speeches are not a pause in the action, often they are the action.  So let’s not skip Stephen’s great speech with a little summary statement in order to get to the stoning, let’s be sure to help listeners experience the power of his impressively targeted speech!

2. Acts is not mere history.  It isn’t uncommon to find folks who view the epistles as the source of our theology, but see Acts only as a record of what occurred in the early days.  Please don’t suggest such a notion in the presence of a Luke-Acts scholar!  Acts is absolutely theological, it is just that Luke was inspired to write his theology in the form of narrative with speeches, rather than discourse in letters.  Actually, I suppose Acts has the “discourse” feature of being addressed to someone – sort of an epistle with extended narratival content!

3. Acts is not all history.  Some elements of the early history of the church are unique.  The challenge for the preacher is to discern and then demonstrate the value of preaching non-normative history.  We don’t tend to be pressured by the problem of replacing a dead apostle.  We don’t need another Pentecost, whatever the hymn says.  I presume your church doesn’t typically experience an Ananias/Sapphira church discipline model.  I suspect the apostles aren’t still looking for a specific evidence of Gentile inclusion in the church, etc.  We have to prayerfully ponder how to preach the non-normative elements of Acts with relevance to our listeners.

4. Acts is all applicable.  So how do we preach Acts relevantly?  And how do we avoid using Acts labels for contemporary experiences that may or may not be the same thing?  How do we stir an excitement for the thrilling reality that is the church, without creating deep disenchantment with the myriad of ways in which our experience differs from theirs?

Acts is a phenomenal piece of inspired writing, and one I love to preach from, but it isn’t always easy.  Let’s be bold in deciding to preach Acts, and extremely sensitive in how we interpret and apply it for the maximum benefit of our listeners.  They need us to preach it, and to preach it well.

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Preaching Story: The Challenge of the Gospels

Are there specific challenges with preaching Gospel narratives?  I believe there are, both in terms of the parables, and in terms of the accounts from the life of Christ.  Some points to ponder:

1. We are dealing with two “authors” when we preach from the Gospels.  We have Jesus telling the story to a specific audience in about AD30.  Then we have the inspired account from Luke or Matthew, etc., some decades later, potentially to a very different audience, and most likely in a different language!  The focus of the inspired writer is on the authorial intent of Jesus, so rightly we focus there.  But we must see that the writers were inspired to weave together these narratives so that in their arrangement there is meaning conveyed.  We need to keep both authors in view.

2. Sometimes we are dealing with more than one account of the same parable or life event.  If we don’t compare the accounts we may preach our specific text with inaccurate detail.  For instance, caught up in the presentation of the feeding of the 5000 we might get carried away with their plight and describe the terrain as arid or dry (and then have some avid listener point out that the grass they sat on was green from Mark’s rendition).  This detail in Mark is not incidental.  It fits with the emphasis Mark is conveying, but is irrelevant to the other gospel writers.  Be sure to check the others for accuracy.

3. The different accounts offer us more than accurate harmonization.  Checking two accounts will allow us to be more accurate in our telling of the story.  But more than that, careful comparison will enable us to spot the emphasis in our specific text.  What did our specific Gospel writer want to convey?  The details included and omitted will help us to determine this (as well as context, flow of narratives, etc.)

4. The different accounts may tempt us to preach the harmonization.  Generally I don’t think this is a good idea.  Our goal is not to make a composite sketch from apparently inadequate eye-witnesses in order to try and come close to the reality of the event itself (I do not believe they were inadequate at all).  Our goal is to faithfully preach the inspired text of a specific writer.  There is value in harmonizing, but the goal is to preach the text, for that is what is inspired.

Gospel stories, both life events and parables, can offer challenges to the preacher.  But they are so wonderful, I hope I don’t even need to encourage you to preach them, and to preach them as well as you can.

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Preaching Story: The Challenges of the Old Testament

Are there specific challenges with preaching Old Testament narratives?  I think there are a few points worth pondering here:

1. Typically we have less familiarity with the broader flow of the Old Testament and may be tempted to only preach the familiar handful of Noah, Joseph, Joshua, Goliath, Jonah, Daniel narratives.  Take a look at some of the lesser known stories.  I am willing to guarantee that if you study an obscure story you’ll want to preach it.  More than that, if you really wrestle with it in its context, then you’ll probably preach it well!

2. Not only do we have less familiarity with the Old Testament world, but so do our listeners.  This means being sure to take some time to orient them to cultural features of the world in which the story is set.  For example, we have to help listeners understand what it was like to live in the world of the ancient near east, where the plurality of the gods of the nations made every battle into a playground tiff among the gods (and what it meant therefore to be defeated by a foreign power, and worse, exiled by them).

Typically I think a lot of the challenges here are in respect to two issues:

3. Recognizing the elements of continuity.  Even in a radically different world, we can resonate with ancient biblical narratives because human nature doesn’t change, and neither does God’s character.  The latter offers another set of issues since many are convinced by the Marcionite confusion that leads to Christians pulling away from the God of the Old Testament.  We have to help people see the fullness of who our God is, which isn’t always easy.

4. Recognizing the elements of discontinuity.  A lot has changed since back then.  For instance, their hoped for deliverer has now been and gone, more than that, he went to the cross, rose again, sent his Spirit, is building his church, etc.  So we have to figure out how to preach the text so that we see it in its fullness back then, as well as in its fullness for us today.

Old Testament narratives aren’t always easy, but they are so worth it.  Let’s not reduce them to illustrations or children’s talks, but preach them as well as we can!

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Saturday “Short” Thought: Thesaurus Needed

These last weeks I have been blogging about preaching story – a vital skill in preaching, and sadly too easily neglected (either by avoidance of narrative sections, or by preaching as if they weren’t narrative.)  In Cor Deo this week we were looking at a monumental passage in the Gospels – John 5.

John is at the same time both the easiest writing to follow (thinking in terms of the Greek especially), and some of the most profound content to grasp.  What makes him “easy” to read includes his consistent use of recurring terminology, but this doesn’t make it easy to hear read.

For example, think of the places where Jesus gets going with a “me in you and you in me and us in them that the world may know…” rhythm.  Easy words, but not easy to hear read and make sense of it though.  Or the example this week in John 5 where Jesus uses the term “witness” about ten times in one paragraph.  Even the more formal translation committees were probably relieved to offer two glosses for some variation – witness and testimony.

So what happens when the listeners hear such overwhelming repetition?  Do they track with it, or do they roll their eyes and start to wonder when in church history the thesaurus was invented?

In the Gospels Jesus had continual run-ins with a “city gate legal system” over everything from Sabbath misdemeanours to blasphemy.  In that system anybody of standing could initiate proceedings, but this didn’t mean constant frivolous charges. So the Jews were not longing for an official trial.  They were looking for a charge that would stick, followed by the witnesses to make the charge stick.  In that system the key issue in prosecution was not so much the evidence (forget CSI), but the credibility and social standing of the witnesses.

So Jesus made a claim to equality with the Father.  That was a more serious charge (blasphemy) than the preceding sabbath breaking charge.  Now, witnesses.  They had their human witnesses, but what about Jesus, who could he call on?  How about the Father, and John the Baptist, and the works themselves, indeed the very word of the Father, speaking of which, how about the Scriptures, Moses?  Witness, witness, witness, witness, witness, witness, witness!

They didn’t get a conviction that day.  The chess game continued.

So what does this mean for the preacher?  Somehow you need to orient the listeners to the culture, the situation, the motivation, etc, and then they can hear the text singing instead of grating.  Whether you read it straight through or in bits with explanation, well that is a matter of preaching strategy, but please don’t just read it so their eyes are rolling and they look down on the writing ability of John and the Spirit!

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Next week: I’m enjoying this too much, so how about a record breaking series extension?

Preaching Narratives – I’ll look at some of the issues in different parts of the Bible and even suggest that narrative might be in a class of its own as a super-genre!

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Top 10 Mistakes Preachers Make Preaching Story – Part 2

Yesterday I offered five common mistakes made in the preaching of Bible story, let’s finish the list:

6. They come up with a list of “principles.”  A story isn’t given in Scripture to make masses of points (some preachers see launch points for pet thoughts throughout a story).  To nuance this error further, stories aren’t given in Scripture in order to offer seven principles for a successful business venture, successful pet ownership or successful anything else.  This is not some ancient text currently in vogue because of its timeless wisdom for living life.  It is a story about people living under the question mark of God’s Word to a fallen world – will they trust Him, or not?  Will we?

7. They make it into a human level story – be good, be better, be like.  Don’t be blind!  The Bible is not just about humanity.  There’s a constant theocentric, christotelic, eternal and heavenly dimension.  Whether God is overtly stated or not, the Bible story you are reading is written with at least an implicit assumption that these characters are living their lives, making their choices, facing their struggles in the context of response to God.  Preach the story theocentrically, not anthropocentrically (i.e. it is God that is the main character, not just a human). 

8. They treat it as a context-less moral lesson.  Okay, I’m repeating the moral lesson bit to make a point, but actually the error here is to miss the context of the story.  Not only does it have a historical context, which the preacher must plumb to make sense of it and preach it well, but it also has a written context.  Why did the author choose to put it here in this sequence?   It is both historically accurate and artistically presented to convey a theological point.  You typically need to observe context to spot this.

9. They don’t apply the main idea of the story.  Either they apply every sub-idea along the way, or they don’t apply at all.  Stories mark and change lives.  Help listeners to see what that might look like as the story preached is translated into their life lived.  Never assume people will take general truths and apply them specifically.  Never assume that application is automatic.  Never believe that positive statements of gratitude from listeners equate to application.  Instead, be overt and be specific.

10. They avoid preaching it altogether and stick in discourse sections.  This is a mistake.  Maybe they think stories are for children, or they think stories aren’t theologically rich enough, or they think that churches only need to be fed the food of epistolary discourse, or they think that they aren’t any good at preaching story, or for whatever reason, they avoid preaching story.  This means somewhere between 50-70% of the Bible will remain unpreached in their ministry.  I think it was Tozer who said that nothing less than a whole Bible can make a whole Christian.

There are lots of other things that could probably be listed, some of which are specific to certain sections of narrative.  But let me make the unstated assumption stated – stories are good for preaching, good for listeners and good for the church.  Go for it, preach stories and preach them well!

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Top 10 Mistakes Preachers Make Preaching Story

As we come toward the end of this series of posts on preaching Biblical narratives, let’s have a list post (they’re always popular!)  How about the top 10 mistakes preachers make when preaching stories?

1. They don’t tell the story!  They refer to it, they draw lessons from it, they theologize all over it, but they omit to actually tell the story.  Big oops!  The story is not there to be exhibit A in your demonstration of your theological acumen.  The story is there to change lives, so tell it!

2. They don’t tell it well.  I don’t like adding to the sin lists already in existence, but making God’s Word boring or telling a story poorly must surely qualify as a transgression or iniquity on some level.  God has given us everything necessary for a compelling message – tension, characters, movement, progression, illustrative materials, interest, etc.  To tell it poorly is to miss an open goal with the ball placed carefully at our feet and thirty minutes to take a shot!

3. They think their thoughts are better than God’s inspired text.  I’ve blogged before about the nightmare I suffered when a preacher read the story of Jesus turning water into wine, then said, “you know the story, so I won’t tell it again…” then proceeded to offer us his fanciful imposition of a theological superstructure all over the text.  The text is inspired, it is great, God is a great communicator (so please don’t think God is desperate for you to add a good dose of your ideas to His – please preach the Word!)

4. They spiritualise details into new-fangled meanings.  Suddenly listeners start thinking to themselves, “I never would have seen that!”  or “I never would have made that connection – the donkey represents midweek ministries, brilliant!”  Actually, they never would have seen it without you, not because you are God’s gift to the church, but because your fanciful insertion simply isn’t there.  Preach the text in such a way as to honour it, not abuse it.  And can I be provocative?  Sometimes people force Christ into passages in ways that seem to undermine the whole richness of the text in its context – just because it is Christ doesn’t make it right.

5. They don’t let every detail feed into the powerful point of the main idea.  Every detail counts, but it counts as part of the writer’s strategy to communicate the main point of the story.  A story doesn’t make lots of points, it makes one point.  Develop a sensitivity to the role of details in the communication of the single plot point.

Tomorrow I’ll finish the list with another five…

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Bible Story: Read or Tell?

Let’s assume that the reading is taken care of, and as I suggested yesterday this might not mean the reading of the text itself.  Now, what to do with the telling of the story?  Should we just read it, or should we tell it?  I say we should tell it, and we should tell it well (and typically in the telling of it we may add detail not included in the text).  Typically we will tell it with certain sections, or even the whole text, read along the way.  Why tell and not just read?

1. The preacher’s task is to present the text by way of explanation.  A big part of the explanation of the story is the effective telling of the story, and the effective telling of the story requires the preacher to describe the action, the scene, the situation in vivid colour so that the image can form in the hearts of the listeners.

2. The preacher’s task includes applying the story with contemporary relevance emphasized.  A big part of the application of the story is helping listeners inhabit the tension of the story, identifying with the characters as they wrestle with life in response to the Word of God.  A well told story carries a significant proportion of the explanation and the application of the message.

3. The preacher’s task includes not only saying what the text says, but doing what the text does.  To put it another way, we need to honour the genre inspired by God’s Spirit.  By telling story, we honour story as the genre of God’s own choosing.

4. The Bible text tends to be both lean and distant.  It is lean in that every detail counts and every detail carries significance in the telling of the story.  It is distant in that the original writers could assume awareness of culture, politics, history, geography, flora/fauna, etc.  To simply read the text is, in some cases, to dishonour the inspired story by not allowing it to hit home in the imaginations and hearts of the listeners.

I could probably offer more reasons to tell the story and to tell it well, but I’ve gone long enough for today!

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Bible Story and the Reading

There are reasons why some churches have the reading of the text prior to the message or at the start of the message.  There are reasons why I don’t like to do this when I’m preaching a narrative.

The reasons in favour of the reading include convention (it’s ‘cos we do!), declaration of the priority of the Word, trust in the public reading of the Word, etc.

The main reason against it, in my opinion, is that a story consists in the resolution of tension, so why give that away at the start?  Even if people know the end, surely the re-presentation of the story is the place for the satisfaction of experiencing tension resolved?

When preaching narrative I tend to have a related reading to satisfy the hunger for a formal reading, but I prefer to keep this separate from the message.  When the message begins, my goal is to win people to the text, rather than assuming they are ready for it and launching straight into the reading.

What do I mean by a related reading?  It could be the preceding context in the flow of the book, perhaps ending with the introduction to the story.  It could be a passage offering “informing theology” – a prior passage that in some way shaped the writer of the text.  It could be a safe reading, such as a Psalm, that has more to do with the sung worship at that point in the service than in the message to follow.

I absolutely believe in the importance of the public reading of God’s Word.  I’m not convinced we are obligated to the read our text then preach it though.

Tomorrow a related issue – should we tell the story, or should we just read it?

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Preaching Story to Children and Adults

As I was sharing about preaching Bible stories recently a friend jumped in and exclaimed their encouragement.  “What you are describing as an approach to preaching to adults is what we do in the school ministry with the children!”  What I had suggested was a basic outline from which to build.  Here’s the outline:

  1. Tell the Story
  2. Make the Main Idea Clear
  3. Apply the Main Idea

In a bit more detail, here’s my suggested “default” starter outline:

Introduction – whatever is needed to make people want to listen to you and to the passage and message.

  1. Tell the story – tell the story so people can imagine it happening.  Tell it accurately, tell it engagingly, tell it with energy.
  2. Main Idea – make it clear what we are supposed to learn from this story. What is the main point the author is trying to communicate?
  3. Application – take some time to describe the difference this idea could make, should make, to our lives.  Be specific.

Conclusion – review the main point, encourage application, stop.

So here’s a question from Philip on this site the other day: What differences should their be when preaching narrative passages to an audience of children as opposed to an audience of adults?  Will the differences be in the manner the story is told or taught?  Or only in the truths the story teaches?

Difference in Manner?  I would say not especially.  While we might feel the need to be more exaggerated and “hyped” to keep the attention of children, I suspect they can be gripped by a well told story minus excessive clowning from us.  On the other hand, perhaps we need to utilize more energy and motion in our story telling to adults!?

Difference in Truth?  I would say not especially.  We might state the truth more simply to children, but a story has one main idea.  That is the main idea whoever the audience.  A story isn’t theologically loaded for adults, but a simple moral instruction for children.  What changes is how we present and apply that specific truth.

Difference in Application?  Yes, this would be different.  We don’t need to help children imagine trusting God’s goodness in the face of employment challenges.  But the same truth is needed in their school and home experiences.

Difference in Awareness?  Yes, this is the main thing that comes to my mind.  Children don’t have the same historical and geographical/spatial awareness that adults tend to have.  We need to beware of assuming too much knowledge with adults too (in an increasingly biblically illiterate society), but I think details in a text that may be fascinating to adults can be confusing to children.

Same passage, same truth, but differing levels of detail, and differing specifics of application.

What do you think?

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